A shot of the giant bow of an ocean tanker, looming over his raft, could have been the setup for the movie to end. There's a lovely moment when he squats on the ground, contemplating a crate that has washed up, and the shot is composed as homage to " 2001: A Space Odyssey," Hanks' favorite film. I liked every scene on the island and wanted more of them. Hanks proves here again what an effective actor he is, never straining for an effect, always persuasive even in this unlikely situation, winning our sympathy with his eyes and his body language when there's no one else on the screen. And he paints a face on a volleyball and names it Wilson-a device which, not incidentally, gives him an excuse for talking out loud. Chuck splits coconuts, traps fish, builds fires, and makes use of the contents of several FedEx boxes that washed up with him (too bad nobody was mailing K-rations). Actual work is more interesting than most plots. (Zemeckis shut down the movie while Hanks lost weight.) I find it fascinating when a movie just watches somebody doing something. Then there's a four-year flash-forward and we see the formerly plump Chuck as a gaunt, skinny survivor. Those are his last words for a time, as he tries to remember childhood lessons about firemaking and shelter construction. There's something wonderfully pathetic about the way he shouts "Hello? Anybody?" at the sand and trees. Chuck, the time-and-motion man, finds himself in a world without clocks, schedules, or much of a future. The movie's power and effect center on the island. An airport farewell to the fiancee is obligatory, including the inevitable reassurances about how Chuck will be right back and they'll have a wonderful New Year's Eve. Exotic locales like Moscow add a little interest to details about Noland's job. What am I to do? Pretend you haven't seen the ad, or discuss what we all know happens? The early scenes are essentially busy work. Not only do they tell you he gets off the island, they tell you what happens then. am I telling too much of the story? I doubt it, since the trailers and commercials for this movie single-mindedly reveal as much of the plot as they can, spoiling any possible suspense. Noland survives the crash, and floats in a life raft to a deserted island. Spoiler alert: If you have not seen ads for the movie, read no further. That seems like two catastrophes when one would have done, but director Bob Zemeckis uses the storm for scenes of in-flight fear, wisely following Alfred Hitchcock's observation that from a suspense point of view, an explosion is over before you get your money's worth. Noland hitches a ride on a FedEx flight across the Pacific, which is blown off course before crashing after an onboard explosion.
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So this are the steps I took (it works!) -Įnter chrome://settings/passwords in your browserĬlick on the 3-dots dropdown to show the "Export passwords." option Generally Google didn't remove the function (yet), it's just hidden. I found a really simple way to import the exported csv file back into chrome (no flag need to be enabled, no terminal or permanent changes, it's really simple). (untested, as i don't own a Mac, but that seems to be the syntax to pass Chrome start parameters on the Mac) Type open /Applications/Google\ Chrome.app -args –enable-features=PasswordImport In the target section just add the parameter –enable-features=PasswordImport to the end of the line. You can however still enable that feature simply by starting Chrome with the paramenter –enable-features=PasswordImportĬreate a Chrome shortcut on your desktop. Sadly that option was removed in Chrome 76 and any subsequent Version. Up until Chrome 75 you could go to chrome://flags and set a flag called #PasswordImport to Enabled which would add a 2nd option to that 3 dot menu, simply called Import that allowed you to do exactly what you would expect. There is however no obvious way to import such a file in case you had to reinstall or switch machines, so how the hell do you get all of your Login Data back into Chrome? You can find a list of all your locally stored Logins/Passwords under: chrome://settings/passwords.Īt the top right of that list is a 3 dot menu that allows you to 'export passwords.' into a CSV file. In addition to that, it also became her first top 10 song in the US unaccompanied by another artist. With the release of "Focus", Grande became the first artist to have all lead singles from her first three albums debut in the top 10 on the Billboard Hot 100 chart. In the United States, "Focus" debuted at number seven on the Billboard Hot 100, becoming Grande's sixth top 10 single (and fourth top 10 debuts), selling 113,000 copies in its first week. "Focus" debuted at number 10 on the Official Singles Chart in the UK, marking it as Grande's third top 10 single in the country, following number one singles "Problem" and " Bang Bang". Horowitz and Alex Gale from Billboard rated the song two-and-a-half out of five stars, commenting "Dating back to her 2011 debut "Put Your Hearts Up," Grande has never released a less-than-great single, until now, with 'Focus', a rehash of 2014's 'Problem'." Time named "Focus" the sixth-worst song of 2015: "Grande needed a tightly constructed, elegant hit, and this isn’t it." Commercial performance Time's Nolan Feeney also commented it for being similar to "Problem", but noted that this might not be a bad thing, saying: "If it ain't broke, don't fix it-no need for Grande to check her vision here". He criticized the "male howling the faux-chorus" for " grating quickly" and for making "Focus" too similar to Grande's previous lead single " Problem". However, he also noted that Grande's vocals " any real excitement from a star who’s got the restraint and skill to take her instrument places most other pop singers can’t anymore". Brennan Carley of Spin had a mixed opinion, commenting that the song was a "catchy slow-burn", describing it as a "horn-heavy piece of retro-modern fusion". Kaitlyn Tiffany from The Verge commented positively saying, "As Ariana Grande is a massively talented vocalist, the song "Focus" itself is very pleasant to listen to". Upon release, "Focus" received mixed reviews from music critics. Grande finally released the official cover on October 14. She also told fans to look at her hairstylist Dalina Way's Instagram for a hint, where a picture of a white bobby pin was posted (indicating she would have white /platinum white hair on the cover). Grande told fans that the cover would more revealing than the My Everything cover. Each day for the following week she posted a less pixelated picture of the cover art. With 20 days until the release of the song, Grande posted a pixelated picture of the cover artwork. Alfredo wrote on his Instagram post "☀When an impromptu shoot in Jakarta turns into THISSSS! #16days #focus □" confirming that the artwork was shot in Jakarta. She said they were really focused followed by saying, "suuuuuuuuuuuuper focused" which was a hint that they were shooting the cover artwork for "Focus." Grande confirmed a couple of weeks later that Alfredo did shoot the cover. On August 25, 2015, Grande tweeted that she was working on something with her photographer and friend Alfredo Flores. Grande says the song is "just supposed to make you feel good and feel empowered." Cover art In the video, the background music is a snippet of Focus. On October 19, Grande tweeted a link to her website, showing the first fragrance commercial for ARI. She also posted several teasers on her brother Frankie dancing/singing to the song. On October 5, Grande posted a 6-second snippet of the song. She began sharing more lyrics throughout the countdown. With 30 days until the release of "Focus," Grande shared the lyrics to the first verse of the song. She went on the show on September 15, 2015, and announced the name of her new single to be "Focus" (rather than "Focus On Me") with a release date of October 30, 2015. Grande announced that there would be a "big announcement" when she appeared on The Tonight Show with Jimmy Fallon. A fan also asked what was coming first, " Moonlight", "Focus On Me" or " Be Alright" to which Grande tweeted "focus comes first." She also said that she was excited about the "nearby future" and considered October to be the "nearby future". On September 2, 2015, Grande tweeted that the "Moonlight festivities" would be starting in October. Grande posted a picture on Instagram on Jwith the caption, "by 'focus' I meant 'focus on me' #thisisahint □ #youllsee □□ ☕️ □" On August 5, 2015, at iHeartMedia Music Summit it was confirmed that Grande would be releasing a new single in the "following weeks" called "Focus On Me." There was a video of Grande with Republic Records CEO Monte Lipman and Charlie Walk playing the song for the whole staff as she ran through Republic offices. Grande worked on "Focus" through April and May, officially finishing the song on May 5, 2015. It’s going to be a great help the more you re-visit areas, and help you with looting whether you are a crafter, a treasure hunter, or both. This includes all resources for crafting, chests, thief containers and more. HarvestMap by Shinni, The Elder Scrolls Online Addon (image by precious addon, HarvestMap will put a marker on your map / mini-map / compass (with many customization options) for anything you gather. There’s 4 tabs in Minion, your Installed addons, a tab labeled “Find More” which lets you search addons from directly from Minion, a Backup option to transfer your addons and settings in another system, and some basic options. Go ahead and download it here, then open it, point it to ESO’s addon folder (this is usually C:\user\Documents\Elder Scrolls Online\live\AddOns) and it will be ready to go. The best “With such a tool we can build natural voice and chat interfaces for our customers and associates faster and deploy them more rapidly,” shared Cheryl Ainoa, Walmart SVP of Core Retail Services & Emerging Technology. With Botmock, the company says it will be able to build out natural voice and chat interfaces for both its customers and its associates - the latter through the internally used “Ask Sam” app which can answer questions or direct store staff to the location of products, among other things. Surprisingly, however, text-based shopping is only now getting warmed up, Walmart says. Today, Walmart offers voice-based shopping through both Google and Siri, and allows customers to check-in for contactless pickup using their voice. It follows years of investment in voice-based shopping, which culminated in a 2019 partnership with Google for voice-enabled grocery shopping. The company in October announced the beta test of a “Walmart Text to Shop” experience that allows customers to text to make purchases. Walmart, however, intends to use Botmock for what it calls “conversational commerce” - an area of increased investment in recent months. It also touted customers across verticals, including large businesses like Nationwide, Accenture, Delta, Bristol-Myers Squibb, Oracle, Viasat, Mercury.ai, Liveperson, BlueRobot, BT, Avanade and Enbridge. The conversations developed within Botmock could then be output to text-based or voice platforms, including Apple Business Chat, WhatsApp, SMS, Messenger, Microsoft Office Teams, Slack, Alexa or Google Assistant.Īccording to a recent version of Botmock’s website, its tools were being used by more than 50,000 people. It also helps to handle the specific complexities that were involved with the project - like platform-specific restrictions - while facilitating team collaboration.Īhead of Walmart’s acquisition, the Botmock system worked with a company’s existing tools, like Atlassian JIRA, RASA, DialogFlow, Atlassian Confluence, Slack, Zapier, Alexa Skills Kit or IBM Watson. The system automatically develops the code in the background as users design their conversation flows. Botmock’s solution offers a drag-and-drop editor for designing a chatbot’s (or voice bot’s) conversations. However it is possible to isolate unreliable users and help the community with our feedback system. In this case IndieGala can not offer support of any kind. You can create non-guaranteed giveaways with serial keys that have already been exposed or unveiled in your IndieGala Library, or that come from elsewhere.Ī user that accepts to participate in a non-guaranteed giveaway assumes full responsibility, and is aware of the potential risk that the serial key provided might not be valid. When creating such giveaway, you will be able to select from a list those games that are valid for a Guaranteed Giveaway. You can create guaranteed giveaways by offering games that come directly from your IndieGala Library and for which serial keys have not been exposed or unveiled. Once created, a giveaway can not be deleted. Here you will find a template to create either a guaranteed or non-guaranteed, and be able to choose the user level required in order for the other users to participate in the giveaway. To create a giveaway go to the Giveaways section located under your user profile. About IndieGala Giveaways & Duplicate Steam Keys.Can I decide the minimum user level required in order for a user to participate in the giveaway I am creating?.Can I decide the price of the ticket a user must pay in order to participate in the giveaway I am creating?.I made a mistake when leaving feedback.My giveaway has terminated, and I still haven’t received feedback from the winner.Do i have to send the serial key to the winner of the giveaway I created?.How are winners selected for giveaways?.Will coins spent for a giveaway be returned if I don’t win?.How can I tell if I have won a giveaway?.How can I achieve and gain silver coins required to participate in a giveaway?.Does my Steam profile need to be public to use IndieGala Giveaways section ?. They're not exactly embraced by everybody outside of the mainstream either, though: ultimately, the band (for most of its life) has been making pop music, and what's so exciting about pop music if you, as a listener, have "graduated" onto more exotic things? The band isn't exactly obscure, and they've had some attempts to push themselves more into the mainstream than they've been, but their main impact on the pop culture world at large was basically limited to (a) a bizarre appearance on 90210 where they played "She Don't Use Jelly," (b) "Bad Days" getting used in Batman Forever and (c) "Do You Realize?" getting voted the official rock song of Oklahoma (their home state). One thing that's clear to me, though, is that they tend to get a level of adulation from me and other amateur reviewers like me (not to mention from Pitchfork and other semi-mainstream reviewing organizations) that's disproportionate to the amount of love they get from people on the whole, and this is of interest to me. Their 80s work is fairly hit-and-miss for me, but their 90s albums entertain and interest me on the whole as well as anybody else's could from that era (not to mention that, starting with Zaireeka, they became a top-notch art rock band), and rating the band as highly as I do happens without any hesitation on my part. The Flaming Lips are a pretty bland choice to have as one of my favorite bands from the 90s and beyond, but I'm a pretty bland person, so they suit me just fine. "Yeah, So If It's Sad, Well, You Still Gotta Live Till You Die" Initial CD versions of the album included the self-titled EP, while later pressings only added an enthusiastic fuzz-take of Eddie Cochran-via- Blue Cheer's "Summertime Blues.The Flaming Lips Completely confused by the rating system? Go here for an explanation. Consider the blunt imagery of "Jesus Shootin' Heroin" or the clearly humorous yells and climax of "Charlie Manson Blues" as two examples of many. Texas psych types like the 13th Floor Elevators and the Red Krayola were clear forebears - one can easily imagine Roky Erickson coming up with shaggy dog stories and music for the likes of "Trains, Brains and Rain." The group's own uniqueness comes through, though. If anybody was kin at the time, it would be the Meat Puppets, with perhaps a little less interest in high lonesome sounds. Throughout Hear It Is, there's a gleeful "try what works" approach that would only become stronger later - the band may have been punk-inspired and birthed, but Coyne and company drew on everything from country & western to classic rock crunch and more there are even some clear early goth rock touches. The gentle acoustic strumming that starts the album on "With You" or the steady pace and mournful singing on "Godzilla Flick" shows that subtlety was as much a part of the game as stomping, fried electric guitar insanity. It isn't as completely discontinuous as might be thought, though - Coyne's vision was already distinctly gone, in ways that most bands would kill for. Instead, it's raunchy bar-band-gone-insane fun or calmer but not too wracked ruminations from Coyne, with music to match. No swirling orchestral parts, no Beach Boys-on-Mars homages, even Wayne Coyne's immediately recognizable cracked fracture of a voice isn't present. 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Offroad bmx bicycle stunt riding are build upon hills and mountain bike race is held in water surfing to perform extreme stunts on impossible tracks 3d of Riders Republic But now I understand the problem with this approach. If you are using leveled books in kindergarten, I get it. (Notice:I did NOT say “the words they are encountering in their leveled books. My recommendation is to teach the words kids are most likely to encounter in the decodable books they’re reading within their phonics lessons and for reading practice. Which ones should we teach in kindergarten? There are a fair number of high frequency words that we can’t sound out (or at least we can’t sound out all the parts). I recommend using editable reading word games so you can type in the words you want your students to practice.īuy Now What about irregular kindergarten sight words? Kids need to read these words over and over again to orthographically map them. I also don’t want to give the impression that practice isn’t incorporate. Other decodable high frequency words that you will probably want to teach early on include and, go, he, she, and we. For example, kids will obviously need to read “a” and “I” from the very beginning. WOW! That’s a LOT of words that we can teach right within our phonics lessons … no memorization necessary!Īnd yet … you SHOULD teach some of these words before you get to their appropriate phonics lesson. High frequency words in the -ind, -old, and -ost families High frequency words that end with -ng or -nk **Technically not CVC, but students easily learn that two identical letters in a row represent a single sound. *Teach your students that “s” can represent the /z/ sound. While you WILL need to teach some of these words before you teach the phonics skill (so kids can read their decodable books), most of the following words should not be taught as whole words to memorize. You can teach these words WITHIN your phonics lessons. Knowing that, let’s look at words from the Dolch and Fry lists that fit these patterns.
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